UNIVERSITY OF RAJASTHAN, JAIPUR

M. Mus. Indian Music
M. Mus. Indian Music Previous & Final Syallbus Exam 2012-13
Scheme of Examination
Distribution of Marks
M. Mus.(Previous)
Paper-I Rag Study
Paper-II History and Principles of Indian Music
Paper-III Presentation of Raga
Paper-IV Presentation of Various forms in Indian Music and analytical study of Ragas
Paper-V Stage Performance
M. Mus.(Final)
Paper-VI Rag Study
Paper VII Philosophy and Psychology of Music
Paper VIII Dissertation (Theory)
Paper IX Practical
Paper X Presentation of Various forms in Indian Music and analytical study of Ragas
Paper XI Stage Performance

SCHEME OF EXAMINATION
Each Theory Paper 3 hrs. duration Max.Marks 100
Dissertation/Thesis/Survey Report/Field Work,if any.

2. The number of papers and the maximum marks for each paper/Practical shall be shown in the syllabus for the subject concerned. It will be necessary for a candidate to pass in theory part as well as in the Practical part (Wherever prescribed) of a subject/paper separately.
3. A Candidate for a pass at each of the Previous and the Final Examination shall be required to obtain (i) atleast 36% marks in the aggregate of all the papers prescribed for the examination and (ii) atleast 36% marks in practical(s) wherever prescibed at the examination, provided that if a candidate fails to secure atleast 25% marks in each individual paper at the examination, and also in the test Dissertation/Survey report/Field Work, wherever prescribed, he shall be deemed to have failed at the examination notwithstanding his having obtained the minimum percentage of marks required in the aggregate for that examination. No division will be awarded at the Previous Examination. Division shall be awarded at the end of the Final Examinations taken together, as noted below :
First Division 60% } of the aggregate marks taken
Second Division 48% of the Previous & the Final Examination

All the rest will be declard to have passed the examination
4. if a candidate Clears any Paper (s)/Practical (s)/Dissertation prescribed at the Previous and/or Final examination after a continuous period of three years, then for the purpose of working out his division the minimum pass marks only viz.25% (36% in the case of practical) shall be taken into account in respect of such Paper (s)/Practical (s)/Dissertation as are cleared after the expiry of the aforesaid period of three years : provided that in case where a candidate requires more than 25% marks secure by him will be taken into account as would enable him to degiciency in the requisit minimum agregate.
5.The Thesis/ Dissertation Survey Report/ Field work shall typewrittenand submitted in triplocate so as to reach the office of the Registrar atleast 3 weeks before the commencement of the theory examination.
INDIAN MUSIC

The examination in Indian Music (Vocal/ instrumental) will be held in two parts--(i) M.A. Previous and M.A. Final. There shall be Nine Papers in all. Previous examination will consist of two Theory Papers of 3 Hours duration each and Two Parcticals and stage performance/disseration. Each candidate will be required to pass separately in Theory as well as in Practicals.
Note: Candidates can offer only sitar in Instrumental Music.
Distribution of Marks

M.MUS (PREVIOUS)
Theory: Teaching Hours 4 Hours per week per paper
Paper-I Rag Study 100 36

Paper-II 		History and Principles of Indian Music 100 36
Practicals : Teaching Hours 8+6+4 Hours per week
Lasting for 1-1/2 hours per candidate at the maximum.
Paper-III Presentation of Ragas 200 80
Paper-IV Presentation of various forms in Indian Music and Analytical study of Ragas 200 80
Paper-V Stage Performance 100 40

(M. MUS. (FINAL) Theory-Teaching 4 Hours per week per paper

Theory :
Paper-VI Rag study 100 36
Paper-VII Philosophy and Psychology of Music 100 36
Paper-VIII Dissertation (Theory) 100 36

or
20 Composition (Practicals)
Practicals : Teaching Hours 8+6+4+ Hours per week
Lasting for 1-1/2hours per candidate at the maximum.
Paper-IX Presentation of Ragas 200 80
Paper-X Presentation of various forms in Indian Music and Analytical study of Ragas 200 80
Paper-XI Stage Performance 100 40

N.B. --The practical papers will be set at the sport by the Board of Examiners in consultation with the internal examiners.

M.MUS.PREVIOUS EXAMINATION

Paper -I : RAG STUDY
Duration 3 hrs. 100 Marks
  1. Defintion of Rag
      (i) Rag Jati (ii) Rag Lakshan (iii) Importance of Rag in Indian Music (vi) Rag and Ritu
  2. Concept of time theory of Raga in Indian Music.
  3. (i) Role of Vadi-Swar in the time theory of Rag.
  4. (ii) Poorvangvadi Rag & Uttarang vadi Rag.
  5. Time theory of Raga according to Swaras--
  6. (i) Komal re-dha (ii) Shudha Re-dha (iii) Komal Ga-Ni
  7. Role of Adhvadarshak Swar
    Madhayam in the time theory of Raga.
  8. parmel Praveshak Rag.
  9. Effect of Rag according to time theory.
  10. Desciption of Rag.
  11. Comparative and critical aspect of Raga.
  12. Identification of Raga through given notes notes and to elaborate those Ragas through Alap & Tan.
  13. Extempore compositions from the given song or notes pattern.

Note : For the purpose of setting the theory Paper the Practical
Syllabus should also be sent to the paper serrer.
Recommend Books :
  1. Hindustatni Sangeet Main Rag Ki Utpatti, Avam Vikas : Dr. Sundnda Pathank
  2. Mallar ke Prakar : Jai Sukh Lal Shah
  3. Rag Rashasya : Jai Sukh Lal Shah
  4. Rag Vyakarn ; Dr. V.,K. Rai Choudhary
  5. Sangeet Visharad :
  6. Rag Darshan : Pt. Manik Buva Thakur das .
  7. Rag Vigyan Part 1-5 : Pt V.N. P.N.Patwardhan
  8. Sangeet Shastra Part 1-4 : Pt Bhatkhande
  9. Rag Praveen
  10. Rag Bodh 1-6 : Dr B.R. Deodhar
  11. Abhinav Gifanjali 1-3 : Ramashraya
  12. Sangeet Kada,bani : Dr. V.N. Bhatt
  13. Sangeet Archana : Dr. V.N. Bhatt
  14. Sangeet Sagar : Pradhu Lal Garg
  15. Universal History of Music : S.M. Tagor

Paper II-History and Principles of Indian Music

Duration : 3 hrs. Marks : 100
Evolution and development of Indian Music during Ancient, Medieval and Modern ages with special reference to the work of : Bharat, Matang Narad (Sangeet Markarand) Sharangdev, Lochan,Ramamatya,Ahobal,Bhav Bhatt,Vyankat Mukhi,Pt.Bhatkhande,Pt. Vishunu digambar Paluskar, Pt. Omkaranth Thakur,Acharya Brahaspati.
Recommend Books.
  1. anup Rag Vilas : Pt Kumar Gandhrva
  2. Utter Bhartiya Sangeet Ka Sankshipt Itihas : Pt,V.N. Bhatkhande.
  3. Dhwani Aur Sangeet : Dr. Lalit Kishore Singh.
  4. Natya Shastra : Bharat Muni (Publisher-jai Krishan Das Hari Dass Gupta Vidya Vilas Press, Varanasi)
  5. Pranav Bharatin : Pt. Onkarnath Thakur
  6. Prachin Bharat Main Sangit : Dr Dharmavati Srivastava
  7. Bharat Ka Sangeet Sidhant Acharya Brahaspati
  8. Bhartiya Sangeet Ka Ithihas : Dr Umesh Joshi
  9. Bhartiya Sangeet Ka Ithihas : Dr. S.S.Paranjape
  10. Rag Rahasya : Acharya Brahaspati
  11. Rag Tarangam Lochan
  12. Bhahadeshi : Matang Muni
  13. Sangeet Bosh : Dr. S.S. Paramape
  14. Sangeet Darpan : Pt Damodar
  15. Sangeet Shastra : K.Vasudeo Shastri
  16. Sangeet Makrand : Narad (Sangeet Karyalaya,Hathras).
  17. Sangeet Parijat : Pt Ahobal (""")
  18. Sangeet Ratnakar : Pt. Sharangdeo
  19. Sangeet Rag : Maharana Kumbha (Jaodhpur)
  20. Swarmail Kalanidhi : Ramamaya (Dr.V.N.Bhatt)
  21. Hindustani Sanget Paadhati, Kramik Pustak Malika Pt. 1.6:Pt. V.N.Bhatkhande
  22. Historical Deveolpment of Indian Music : Swami Prajanand
  23. Music of India : H.A. Popley
  24. The Musical Heritage of India : M.R. Gautam (N. Delhi).

Paper III-Presentation of Raga
Marks : 200
Candidates are required to prepare two Ragas from any Five group with intensive study.
Groups :
  1. Yaman, Shayam Kalyan, Puriya Kalyan, Hansdhdwani.
  2. Alhaiya Bilawal, Yamani Bilawal, Devgiri Bilawal, Kukhubha Bilawal.
  3. Bhairav, Jogia, Vibhas, Gunkari.
  4. Marva, Puriya, sohani, Bhatiyar.
  5. Miyan Malhar, Megh Malhar sur Malhar, Ramdasi Malhar.
  6. Brindavani Sarang, Shudha Sarnag, Madhyamad Sarang, Miyan ki Sarang.
  7. Bhimpalasi Dhanashree, Patdeep, Hanskinkini

Paper IV-Presentation of Various forms in Indian Music and analytical study of Ragas
Marks : 200
Ragas as prescribed in Paper III.
  1. Candidates are required to prepare the following froms from all the groups other than selected in Paper III.
  1. To prepare 4 show khayals or Gats with Alap and Tans.
  2. To prepare 6 fast khyal or Drut Gats with Alap and Tan in any rag as other than selected under (A).
  3. to prepare Dhamar, one dhrupad and two other forms in any ragas other than selected under (A&B)
    4. or
    To prepare four fast Gast in other than trial with Alap and Tan in any rag other than selected under (A.B.).
  4. To prepare two Bhajan or Thumri in any two different Ragas. or To prepare two or Thumri in different Ragas.

Paper V-Stage Performance
 Minimum of one hr duratin)
(i) Choice Rag (ii) Light (iii) Examiner;s Choice
M.MUS FINAL EXAMINATION

Paper-VI : RAG STUDY
Duration : 3 hrs. Marks : 100
Candidates are required to study all the Ragas given under paper VIII and IX (Practical)
  1. Classification of Raga according to Medieval peiod
    1. Classification of Rage according to (i) Sudhakalash (ii) Sangeet Damodar (iii) (Matang) Brahaddeshiya (iv) Sangeet Makrand, (v) Man Kautuhal
    2. Classification of Ragas according to Rag Ragini Padhati.(i) Shiv Mat (ii) Hanumant(iii) Ragarnav (iv)Rag Sankrt
    3. Classification of Raga according to Modern period.
    4. (i)That Rag Vargikaran (Bhatkhande)
    5. (ii) Ragang Vargikaran (Moreshwar Khare)
    6. Classification of Raga according to time Theory According to Medieval period:
      7. (i) Pt. Sarang Dev (ii) Pt, Shudhankar (iii) Phakirulla (iv) Pt. Ahobal According to Modern period:
    7. (i) Sri Kanthe (ii) Pt. V.N. Bhathande
    8. Description of Raga
    9. Comparative and Critical aspect of Raga
    10. Identification of Ragathrough given noted and to elaborate those Ragas through Alap & Tan.
    11. To compose given text in different Ragas & Talas prescribed in Paper VIII & IX

    Note : For the purpose of setting the theory Paper the Practical
    Syllabus should also be sent to the paper setter.
    Recommended Books :
    1. Hindustani Sangeet Main Rag Ki Utpatti,Evan Vikas: Dr sunanda Pathank
    2. Sangeet Chantamani : Achrya Brahaspati
    3. Hindustani Sangeet Pandhati Karmik Pustak Pt.V.N. Patwardhan
    4. Rag Vigyan Pt. 1-5 Pt. V.N. Patwardhan
    5. Sangeet Nibandh : R.M. Agnihotri
    6. Sangeet Shastra Pt. 1-5 : Pt. V.N. Bhatkhande
    7. Bhartiya Sangit Kosh : Dr V.K.Rai Choudhary
    8. Sangeet visharad :
    9. Rag Darshan :
    10. Mallar Ke prakar : J.S.L.Shah
    11. Shrimallakshya Sangeet : Pt V.N. Bhatkhande
    12. Sangeet shastra : K. Vasudeo Shastri
    13. Bharatiya Sangeet Ka Itihas : Sh. S.C. Paranjape
    14. Sangeet Bodh : Dr. B.R. Devdhar
    15. Sangeet Archana : Dr. V.N. Bhatt
    16. Rag Ragini Nayak Nayika Bhed : Dr.P.K.Dixit
    17. Rag Rahasya : Acharya Brahaspati
    18. Rag Vyakaran : Dr. V.K. Rai Choudhary
    19. Pranav Bharti : Pt. O.N. Thakur
    20. Ragas and Raginis : O.C. Ganguil
    21. Ragas and Raginis : A.N. Sanyal

    Paper-VII : PHILOSOPHY AND PSYCHOLOGY OF MUSIC
    Duration : 3 hrs. Marks : 100
    Philosophy of Music
    1. Music and religion
    2. Pictorical aspects of Music.
    3. Role of Music in Indian Philosophy.
    4. Place of Music in Fine Arts.
    5. Rasa Theory.

    Ps ychology of Music
    1. Definition,Scipe of psychology, Relation of psychology with music.
    2. Application of Music in Social and Industrial Psychology.
    3. Sensetion,Hearing in Music.
    4. Feeling,Emotion,Appreciation of Music,Role of attention in Learning Music.
    5. Imagination and Creativity in Music. Importance of Heredity and environment in Music Aptitude tess in Music.

    Recommended Books :
    1. Psychology : Robert S. woodworth
    2. Psychology : Balbir Singh
    3. Samanya Manovigya : Ki Rooprekha : Dr. R.N. Sharma
    4. Shiksha Manovigyan : S.S.Mathir
    5. Psychology : J.N. Sinha
    6. Manovigyan Ke Mool Sidhant : R.K. Tandon
    7. Psychology of Music : E. Seashare
    8. General psychology : Guiford
    9. The analysis of Sansation : Eames Mach.
    10. Dhwani Aur Sangeet : Lalit Kishore Singh.
    11. Sanget ki manovigyanic prasthbhumi : Dr Kavita Chakravorty
    12. Kala Se Sidhant : R.G. Kalingwood
    13. The psychology of Imagination : John Paul Sartre
    14. Studies in artistic creativity : Manas Rai Choudhary
    15. Philosophy of Fine Art : Hegal
    16. Sangeet main Rastatva ; Dr L. Adsule
    17. Rag Sidhant Aur Saundrya Shastra : Dr.Nirmala Jain.
    18. Ras Siddhant : Dr. Nagendra
    19. Bhartiya Saundarya Shastra Ka Tatvik Vivechan : Dr.R.L. Shukla
    20. Indian Aesthetics : K.C. Pandey

    Paper-VIII : DISSERTATION (THEORY)
    (Writing work on musical subject of about 100 pages)
    or 20 composition (Practicals)
    (20 various composition in any 20 ragas in differet talas or Essay Writing)

    Paper-IX : PRACTICAL
    Presentation of Raga : Marks : 100
    Candidates are required to prepare two Ragas from each group with Intensive study.
    Group :
    1. Ahir-Bhairava,Bairagi,Nat Bhairava,anand Bhaiarava.
    2. Malkauns,Chandrakauns, Jog,Jogkouns.
    3. Todi,Gurjari todi,bilaskhani Todi,Bhoopal Todi
    4. Bihag, Maru bihag,Nand,Bihagra Darbari Kanra,Nayaki Kanra,Abhogi Kanra,Kausi Kanra
    5. Kirvani,Hemant,Bageshree,Rageshree.

    Paper-X : Presentation of Various forms in Indian Music and analytical study of Ragas
    Marks : 200
    Ragas as prescribed in Paper IX
    1. Candidates are required to prepare the following forms from all the group other than selected in Paper IX
      To prepare 4 slow khayals or Gats with Alap and Tans.
    1. To prepare 6 fast khyal or Drut Gats with alap and Tain in any rag other than seleced under (A)
    2. to prepare Dhamar,one Dhrupad and two other forms in any ragas other than seleced under (A&B).

      3. or
      to prepare four fat Gats in other than trial with Alap with Alao and Tan in any rag other than selected under(A.B)
    3. To prepare two Bhajan or Thumri in any two different Ragas. or To prepare two Dhun or Thumri in different Ragas.

    Paper-XI : Stage Performance
    (Minimum of one duration) Marks : 100
    (i) Choice Rag (ii) Light (iii)Examiner's Choice